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Ovvian Castrillo Hill — Sculptor, Visual Artist, Creative
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SCULPTURE WITH A STORYPUBLIC ART & MAJOR PROJECTSREAD MUST LOVE CANADA!OVVIAN HILL FOR CITY COUNCILLORSCULPTURE WITH A STORYPUBLIC ART & MAJOR PROJECTSREAD MUST LOVE CANADA!OVVIAN HILL FOR CITY COUNCILLOR

Sculptor Visual Artist Creative

Art that carries
a story.

Sculpture shaped by heritage, place, and the human experience.

Pathways to Prosperity sculpture by Ovvian Castrillo Hill

PATHWAYS TO PROSPERITY
Philippine Stock Exchange

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01 — The Artist

An artistic life shaped by heritage and place.

I’m Ovvian Castrillo Hill, a Filipino-Canadian sculptor and visual artist based in Fort St. John, British Columbia.

Growing up within the artistic legacy of my father, the late Eduardo Castrillo, gave me an early understanding of sculpture as a language capable of carrying history, emotion, culture, and ideas. Since beginning professionally in 2003, I have continued to develop a voice of my own across the Philippines and Canada.

Read Ovvian’s story →

02 — Selected Works

Form, movement,
material and story.

Every sculpture begins with an idea, emotion, memory, or story. These spaces are ready for Ovvian’s final artwork photography.

Ask about an artwork →

03 — Major Projects

Art made for
people and place.

Pathways to Prosperity01

Pathways to Prosperity

Philippine Stock Exchange

Sculptural detail by Ovvian Castrillo Hill02

Land Form Obelisk

Fort St. John, British Columbia

Ovvian Castrillo Hill at an exhibition03

Drum of Concordia

CreateSpace Public Art Residency · 2023–2024

04

Shangri-La Christmas Installation

Makati, Philippines · 2003

Ovvian Castrillo Hill with one of her artworks
Art has the power to elevate the human spirit.

My Story

Heritage is a foundation,
not a boundary.

My sculptures explore movement, rhythm, strength, softness, relationships, culture, and the emotional experiences that connect us. Moving to northern British Columbia changed my practice: my artistic heritage came with me, and Canada gave me another landscape in which to explore it.

Whether a work is intimate or monumental, permanent or temporary, I want it to create a moment of connection between the artwork, the place, and the person standing before it.

04 — Commissions

Let’s create something meaningful.

A commissioned artwork should belong to its environment, reflect its purpose, and tell a story that matters. I welcome inquiries for private sculpture, public art, corporate artwork, cultural installations, community projects, and commemorative works.

Start your commission
  1. 01Initial conversationShare your idea, place, purpose, and goals.
  2. 02Concept developmentThe story becomes an original artistic direction.
  3. 03FabricationThe approved work moves into production.
  4. 04Delivery & installationThe artwork meets the space it was created for.
Must Love Canada ebook cover

Free Ebook

Must Love
Canada!

Tips on How to Be a Good Canadian: A Practical Guide

Created for new Canadians, new immigrants, and newcomers—a thoughtful, practical guide from Ovvian Castrillo Hill.

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The author retains copyright in the anecdotes and narrations contained in this ebook. The author is not responsible for liabilities or damages resulting from corrupted, altered, or unauthorized copies distributed by third parties.

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05 — Community

Creativity grows stronger when people feel they belong.

Fort St. John is more than the place where I live. It has become part of my story.

Through art, cultural initiatives, events, conversations, and community involvement, I hope to keep contributing to the place my family and I call home.

Invite Ovvian to an event →

06 — Contact

Have a story,
space, or idea?

For artwork, commissions, ebook support, media, events, or community inquiries, I’d be glad to hear from you.

Fort St. John
British Columbia, Canada

My Story

Artist. Designer. Sculptor. Filipino-Canadian.

My creative journey stretches across countries, generations, materials, and communities—but at its centre has always been a belief in the power of art to tell the human story.

01

Where It Began

Growing Up With Art

Art was never distant from my life. I grew up surrounded by the creative world of my father, the late Eduardo Castrillo, one of the Philippines’ renowned sculptors. The studio was a place of work, experimentation, discipline, problem-solving, and imagination. Watching that process taught me what it takes to transform an idea into something physical and enduring.

In 2003, I began sculpting under my father’s mentorship. That experience gave me a strong foundation while beginning the longer process of discovering what my own work needed to say.

02

Finding My Own Artistic Language

Heritage Is a Foundation, Not a Boundary

The influence of my father is part of my work, but every artist eventually has to develop a language of their own. My sculptures explore movement, rhythm, strength, softness, relationships, culture, and the emotional experiences that connect us.

Family, hard work, resilience, identity, community, belonging, and purpose are recurring sources of inspiration. I am interested in the stories people carry and in finding ways to make those stories visible.

03

From the Philippines to Canada

A Practice Transformed by Place

Moving to northern British Columbia changed my artistic practice. Different environments, available materials, working spaces, climates, communities, and opportunities encouraged me to rethink how I created.

Instead of trying to reproduce exactly what I had done before, I began allowing the new environment to change the work. My artistic heritage came with me. Canada gave me another landscape in which to explore it.

04

Creative Philosophy

Why I Create

I create because art can make an idea tangible. It can honour someone, celebrate a community, preserve a memory, change the character of a space, and sometimes express what words cannot.

My goal is to create work that carries meaning while remaining visually powerful—art that invites people to experience movement, emotion, culture, and connection through form.

Discover the Work

My story is best understood through the work itself.